The 20-55mm retails for $2289, and the 50-125mm is $2489. DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Cinema Zoom Lens (PL Mount and EF Mount) DZOFILM is devoted to exploring the aesthetic of film and design of optics. The 50-125mm has significant distortion at 50mm, and it decreases as you zoom in. This might be due to the softer characteristics of the lenses. The LingLung 20-70 mm T2.9 MFT mount lens is a cinema lens that is designed to stay sharp when you zoom in or out. The Pictor Zooms are parfocal once you set the back focus for the mount. In real-world shooting, the subject is the center of focus, and the scene will have depth and be out of focus, depending on how wide open your shooting and the length of the lens. That’s not a typo—two parfocal cinema lenses for under $3K. Okay, that is enough! The 20-55mm retails for $2289, and the 50-125mm is $2489. No matter from close-up to wide shot, or rapidly zoom out to long shot, under parfocal design, focus keep unchanged all the way long and offer a stage for creative play. The corners are soft, wide open, and get better as you stop down, but never goes away. I hate shooting charts, but it does let you know technically how a lens performs. 20 to 55mm Parfocal Zoom … I think it’s odd, but it could decrease with use. DZOFILM is out to change this with its affordable cinema zoom lens offerings. I know you can’t wait! Also, sharpness plays a big role. It has a nice build with all-metal housing. Below is the 50-125 at 125mm. DZOFILM has a set of MFT zooms that are very popular. If you don’t want to use a mattebox, you can attach filters directly to the front of the lens, thanks to the 86mm filter thread. Just keep that in mind. With the motors on the camera’s dumb side, the operating side is nice and clean, with room for an EVF if needed. Set focus, and I could knock out several different framing options without refocusing—a huge win for fast coverage. In terms of weight, the DZOFILM 20-55mm T/2.8 is pretty lightweight at around 1.52kg/3.35lbs. 200% crop from the left frame of the 20-55mm at 55mm T2.8 Bokeh quality is very subjective, so I’m not going to state whether it’s good or not. The new lineup of Pictor Zoom lenses from DZOFILM cover Super35/APS-C sensors. The DZOFILM 20-55mm T/2.8 and 50-125mm T/2.8 will be available next week in a black colorway. Below are all the f-stops at the long and short zoom range for each lens. The Pictor Zooms have a star-shaped flair once you stop the lens down. I personally like sharp lenses and don’t tend to use vintage lenses due to the likelihood of increased chromatic aberration. Please Note: Lens is dual marked with Metric and Imperial. For under $4495. These lenses consist of a standard black finish, making them less likely to be seen in on-set reflections. Lens mounts are user interchangeable, which is nice. With the info I gathered from shooting charts, I felt the bokeh’s look would be affected by two things: distortion and chromatic aberration. Depth changes everything, but it is important to see the technical aspects of a lens. My favorite of the two Pictor Zooms is the 50-125mm, similar to a 70-175 full-frame equivalent (S35 1.4x). For example, Canon lenses tend to be on the warmer side, while Zeiss is cooler. A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. The Pictor 20-55mm and 50-125mm T2.8 Super35 zoom lens bundle from DZOFilm consists of a two-lens set with a white finish. The Pictor 50-125mm sharpness falls off quickly to the corners when shooting wide open at T2.8. At T2.8, you get some really nice flairs with good ghosting control. There are not a lot of information about the lens design, except that “by employing sophisticated optical design, the DZOFILM 20-55mm T/2.8 and 50-125mm T/2.8 feature organic look with crisp details, and achieve high-contrast and neutral color rendition” according to DZOFILM. It covers a Super 35 image circle. It didn’t affect the performance when using motors. The last decade has seen Erik migrate into broadcast television and filmmaking, where he has discovered a passion for visual storytelling and production. DZOFILM 20-55mm: แบรนด์: DZOFILM: รับประกัน: 1 ปี: ชนิด: Cine Lens: คุณสมบัติ: Focal Length 20 to 55mm Lens Mount ARRI PL Format Super35/APS-C Image Circle 31.1 mm Maximum T-Stop T2.8 Minimum T-Stop T22 Iris Blades 16 The dampening is just enough to give you nice resistance when focusing. The mounts do not have electronic contacts; therefore, they dont speak to the camera, so no iris and focal length data will appear in the camera monitor or EVF. These lenses ship with a PL mount with an extra EF mount bayonet in the package. Both lenses cover the Super35 range and have similar lengths, weights, lens positions and front outer diameters, allowing for quick lens changes. The breathing is very minimal, and that is impressive. The first set released was the Linglung Series 10-24mm & 20-70mm T2.9 parfocal lenses for Micro Four Thirds mount cameras. These are not clinical lenses. The lenses have a lot of character and look great on faces with a natural smoothness due to the lenses not being overly sharp. These zoom lenses are available in either PL or Canon EF mount, they feature a constant T/2.8 aperture through the entire zoom range, and they cover Super35/APS-C sensors. Select Your Numbers: Enter Number 7 Enter Number 8 Enter Number 9 Enter Number 10 Enter Number 11 Enter Number 12 Enter Number 13 Enter Number 14 Enter Number 15 Enter Number 16 Enter Number 17 Enter Number 18 Enter Number 19 Enter Number 20 Enter Number 21 Enter Number 22 Enter Number 23 Enter Number 24. Bokeh quality is very subjective, so I’m not going to state whether it’s good or not. Duclos has an RF mount option available for the MK lenses. Let us know in the comments below! While you might think these results are not good, it’s a test using the most boring thing ever. Let’s dive into the S35 Pictor Zoom 20-55mm T2.8 & 50-125Mm T2.8 lenses. Both Pictor zooms have very little vignetting when shooting at T2.8 and decreases as you close the lens down. The weight of approx 1600g is solid, compact and fearless of complex and variable shooting scenes. The dampening is firm and not sloppy. The coatings are a good balance of control and character. The 20-55mm retails for $2289, and the 50-125mm is $2489. Now there isn't really a huge amount of affordable cinema zooms around currently, other than the Sigma 18-35/50-100 and the Fujinon MK 18-55 / 50-135, both of which have been very popular choices.. A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. VAT inc. VAT Daily £80.00 … The set runs only $2,998.00. DZOFILM is a Chinese lens manufacturer mostly known for its affordable MFT cinema zoom lenses. © 2021 All rights reserved. This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle from DZOFilm comprises a two-lens set with a white finish. It shipped with the PL mounts, so I had to swap them out as I dont have a camera with the PL mount system. While rack focusing isn’t as common as in the old days, it’s still an excellent way to move the scene forward.The Pictor Zooms perform insanely well for a lens in this price range. The price for the Pictor 20-55mm and 50-125mm $2289 and $2489, respectively. I feel they are still relevant as it helps me see the actual performance in a controlled and rather boring setting. With a constant T/2.8 maximum aperture at every focal length, both lenses will cover a total range of 20-125mm at T2.8! I come from the newsgathering world where parfocal zoom lenses on an ENG camera is the norm. Yes, the 50-125mm has more distortion than I like, but it’s not as visible in the real world instead of shooting a chart. I would say the center third portion of the lens holds well but quickly gets softer as you move to the frame’s left and right sides. The full kit is a thing of beauty. The DZOFilm Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL Mount and EF Mount) Black bundles two versatile cinema lenses that provide coverage of an extended zoom range with a relatively fast maximum aperture. I’ll say it again, in this price range, the performance is really good. The 16-blade iris does a nice job making the bokeh round when the lights are in the center of the frame; however, when you go to the frame’s edges, the bokeh becomes more egg-shaped with purple fringing. Since these are S35 zooms, you probably are thinking, could I use these with a SpeedBooster? I prefer warm over cooler as I shoot faces most of the time. Thinking as a filmmaker, let technologies pave the way for a more innovative, versatile and cost effective workflow. We already talked about their previous 20-70mm T2.9 and 10-24mm T2.9 MFT Cine lenses here if you want to learn more about it. Are You a Winner? The dream painter can quickly respond to various scenes. I don’t usually start an article with the price but the new S35 DZOFILM Pictor Zoom 20-55mm is $2289 T2.8 & the 50-125mm T2.8 is $2489. I found that the lenses tend to be soft, and setting proper focus is a little challenging. If there is one thing that drives me crazy is a lens that breaths a lot. This lens also has a two-sided focus scale both imerial and metrical are available. Additional cutouts are for the included EF mounts, two screwdrivers, lens supports, and shim cases. They are available individually as well. Vignetting doesn’t bother me much as I kind of like it and tends to add some in post. The straight answer is no. You dont want to crease them accidentally. The kit includes both PL and EF mounts. The Canon 24-105 is a lens I grab a lot. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. They do market them as such, and I think it’s good DZOFILM knows and states what the Pictor lenses are. Today, the company is expanding its offer with the new “Pictor Zoom” lineup that covers Super35/APS-C sensors. Both mechanics and optics are designed to be compact and versatile, … In short, these cinema zoom lenses should be great for run and gun shooting scenarios. It’s a range I use the most in my work. DZOFilm Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL Mount and EF Mount, Black) $ 5,279.00 This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens from DZO consists of two lenses with a standard black finish, making them … The DZO Pictor 20-55mm T2.8 zoom lens features a relatively fast maximum aperture of T2.8, parfocal zoom design, and an internal floating group that virtually eliminates focus breathing. I did some simple tests with a chart to see how the lenses perform. Fortunately, the DZOFilm Pictor 20-55mm, Angenieux Optimo DP 16-42mm, and the Sigma Art 18-35mm lenses are all a fantastic choice to keep things looking pretty. The Pictor Zooms worked perfectly with motors. The bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens by DZOFilm comes with an interchangeable PL mount and includes a Canon EF mount. DZOFiLM 20-55mm T2.8 Pictor Zoom Super35 Cinema Lens (PL/EF Mount, Black) Rental ID : RT0729 PRODUCT INFO Hire Rates : ex. The hard case has firm laser cut foam to keep the lenses safe when transporting. From the solid MFT Linglung cinema zooms, 10-24mm and 20-70mm, to S35 parfocal cine lens with DZO Pictor 20-55mm T2.8 and 50-125mm T2.8 parfocal zoom lenses. Given the short response durations observed in the recurrent/refractory disease setting, infusional chemotherapy is best suited for cytoreduction before more definitive therapy is administered. All Draw game prizes must be claimed at a Florida Lottery retailer or Florida Lottery office on or before the 180th day after the winning drawing. It’s distracting and looks unnatural. I love the Sigma 50-100 f1.8 as it’s sharp as a knife and fast, but wow, does it breathe. Minimal breathing and solid build and mechanics make the lenses a good fit if you like a lens with a vintage look. US, they are a bargain. My favorite focal range is around 50mm to 200mm. Also, DZOFILM claims that both lenses are parfocal, with minimum focus breathing. The 20-55mm gold focal length is effectively integrated into the dream painter. Since I was swapping out the PL mount for the EF, I didn’t have a baseline to work with, so I started with the 0.30 shim and added more after determining the parfocal performance. A real twofer! The 20-55mm has the same characteristics; however, the chromatic aberration is much more present, and again the distortion changes the shape of the bokeh on the sides of the frame. A chart! My tests are not scientific. The two lenses match with focus, zoom, and iris rings all in the same position for easy lens swaps when using a follow focus of motors. The MFT or E-Mount Fujinon MK18-55mm and MK50-135mm T2.9 are close, but they retail for $7,798.00 for the two-lens kit and doesn’t have an EF or PL mount option due to the lenses design. DZO Film continues to grow and give filmmakers affordable and robust lens options. I haven’t tried these yet, but the reviews have been positive, especially for the price. The corners become sharper with less CA present. Jeff Loch is a French freelance director, editor and colorist, working mostly on music videos, commercials, and corporate films. If so, they nailed it! The lenses are also somewhat soft, or not clinically sharp, so that is two features I like a lot. If you are shooting all flat walls with no depth, then these are not the lenses for you, but this isn’t the case at all. The lens also has distortion present at 20mm and performs better at 55mm. At 125mm, it’s still present. You can see the distortion in the corners and some chromatic aberration as well in the center. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. If you get both lenses as a bundle, you’ll get a $279 discount, and black colorway bundles also should start shipping next week. You have to like having the option to shoot in full-frame and S35 without worrying about image quality. Did you already shoot with DZOFILM glasses before? The bokeh with the 50-125mm is nice, with the 16-blade iris giving a nice round bokeh ball as you move to the sides, the shape changes. Chinese lens manufacturer DZOFILM has just introduced not one, but two new compact zoom lens to the new “Pictor Zoom” lineup of glasses: the DZOFILM 20-55mm T/2.8 and 50-125mm T/2.8. If you get both lenses as a bundle, you’ll get a $279 discount, and black colorway bundles also should start shipping next week. DZOFilm Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens (PL Mount and EF Mount) A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. At T8, it looks nice and gets bigger, the larger the f-stop. No rack focusing with the 50-100. One thing that does stand out to me is the Pictor Zooms are warm in color. Both lenses feature a constant T2.8 stop in all focal lengths. The DZOFILM Pictor Zoom cinema lenses come in a kit with a nice case and all the accessories needed. One has both a zoom toggle and a focus wheel. It decreases when stopping down. Comment - Let us know what you think of the DZOFilm Pictor Cine Zooms below!! DZOFILM Pictor Zoom lenses Parameters. I feel DZOFILM made low breathing a priority. A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. Additionally, Erik is an outstanding educator, teaching filmmaking via courses on Linkedin Learning and Lynda.com. It covers a Super35 image circle, comes standard with a PL mount, and includes an interchangeable Canon EF mount. You have to be careful when handling the shims as the thin ones are very fragile. The advantage of a softer look is it will make the skin more pleasing. The lenses cover an extended zoom range with a relatively fast maximum aperture. While that sounds obvious, it isn’t. 86 talking about this. I have to say this is n excellent setup! I had to get an extension to mount it to the Z Cam Tilta cages, ARRI Rosette, to get the grip in the right position. Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that. S35 Pictor Zoom 20-55mm T2.8 & 50-125Mm T2.8, Review of the Atomos true 10-bit 4K NEON 24″ Monitor/Recorder, Ignite Digi Bridge Plate Booster Seat for KEYSTONE. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, Nanlux Evoke 1200 Released – A Very Powerful LED Light, THANOS-PROX - New Version of Gimbal Support System Announced, New Insta360 ONE R Firmware – Horizon Lock, Loop Recording & More, Zhiyun SMOOTH-Q3 Smartphone Gimbal Released, SANDMARC Motion Pro Variable ND Filter Review, Kinefinity MAVO Edge 8K Review - Hands-on & Short Documentary (Pre-Production), Prompter People Desktop Flex and ProLine Plus Teleprompter Review. The DZOFilm Pictor 20-55mm T2.8 Parfocal Zoom is a reasonably fast parfocal cine zoom for Canon EF-mount cameras and camcorders. Very nice mechanics all around. Let’s start with the 50-125mm and then the 20-55mm and see how the lenses look shooting a chart. The 50-125mm T/2.8 is slightly heavier at around 1.7kg/3.74lbs. It’s really a win, win. A site for working professionals in the TV & Film industry. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. The DZOFilm Pictor 20–55mm and 50–125mm T2.8 cinema zooms are unique at their price point. With cameras being very sharp these days, a softer look with a lens might be a good way to get that vintage film look with video. I did notice on the 50-125mm the zoom was a little sticky on the ends of the zoom. 20-55mm at 55mm T2.8 The 20-55mm has the same characteristics; however, the chromatic aberration is much more present, and again the distortion changes the shape of the bokeh on the sides of the frame. The rear optic sticks out too much, making it impossible to use any current versions. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. Parfocal Cinema Zoom lenses are expensive, and most rent them when needed for a project. DZOFILM has created something special at an affordable price. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer diameter, making for fast lens swaps. It doesn’t streak much, and ghosting isn’t very heavy like an uncoated lens. When choosing a lens in general, you have to know what you want. This is an extremely competitive price for parfocal zoom lenses with a constant T2.8. Image credit: DZOFILM. I do feel the out of focus areas of a frame tend to look a little busy. DZOFILM 20-55mm T2.8 Pictor Zoom Lens - PL/EF Mount (Black). If you want to get the white versions, they will be sold as a set only for $5399, with a shipping date expected in late July. I would say the sweet spot for sharpness at 50mm is a little past T4 to f11. Most of us use still lenses with a cinema camera due to availability and price. The DZOFilm Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a maximum aperture of T2.8 with an aperture range of T2.8 to T22.The Pictor 20 to 55mm lens comes with an interchangeable PL mount and Canon EF mount. Calibrating was a simple push of the button. The Nucleus-M comes with two handles. It helps add attention to the center of the frame making the subject pop a little.

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