The Summilux-R is a superb 50mm prime lens, offering sharpness, top built quality, excellent contrast, nice colours and versatility. Log in or sign up to leave a comment Log In Sign Up. Add to cart Trade-In. Stopping it down with just one stop dramatically increases contrast and sharpness, but also reduces the buttery smooth bokeh. The first version of the 75/1.4 (490 grams) is significantly lighter than the 80/1.4 (700 grams), but later versions of the 75/1.4 (600 grams) are only slightly more light weight. Since the aperture ring isn't so much a ring as two tabs, it is trivial to set the aperture by feel in the dark. This group will count toward the photo's limit (60 for Pro members, 30 for free members) It retails for 1650 Euro (which is a good deal). Price wise, the difference is much bigger. Summilux-R 80mm f/1.4 is usually an expensive lens but has great performance, great sharpness, very very smooth bokeh. All you need is a Leica that features live view. The biggest difference is that the 80/1.4 lacks the rangefinder mechanism that the 75/1.4 has. The starting aperture of f/1.4 produces a very bright viewfinder image that permits aesthetic application of selective sharpness. If your combination works, it is not guaranteed to keep working forever. Staking the claim as the reference 50mm, the Summilux-SL 50mm f/1.4 ASPH. I have a ten year old car. Comparison of the Leica M-Summilux 1.4/75 to the R-Summilux 1.4/85 on the SOny a7 series All pictures taken with a Summilux R 80mm f1,4 ... Additional Info. Such a combination is surely a Leica Summilux-R 50mm f/1.4 (E60) adapted to Canon EF mount used on the Canon EOS 350D (Digital RebelXT). Yes, the SL finally has a successor and it’s called (unsurprisingly) .. I’ve tried a couple of Leica Summilux-M 75/1.4 lenses, but never boug.. I’ve shot most of my weddings with the Leica M240 and it never let me.. Joeri teaches photography in group workshops and one on one sessions for other Leica fanatics. Lens from Leica promises to create phenomenal images with edge-to-edge sharpness, even wide open. The biggest change happens when you stop down from 1.4 to 2.0. I came across the dreamy self portraits of Anastasia Potekhina in the LFI g.. On the M, it feels less balanced, just like the Noctilux does, but I wouldn’t mind shooting it on the M. If you’re shooting portraits I’d recommend to use a tripod anyway. Now what does that mean ? The optics a mint and amazingly beautiful. The way I see it, they both take more or less the same amount of space in my bag. Why? Optically it’s perfect though. When it came out, the SUMMILUX was decades beyond the performance of the competitive Nikon 50mm f/1.4 rangefinder lens. Now that we made it clear bellow are some sample shots from Leica Summilux-R version 1 50mm f1.4 from 1971 mounted on Canon 70D body. Vignetting is to be expected with 400m and longer lenses. Focus is solid, maybe a bit stiff for my taste, but that makes shifting focus accidentally a lot harder. LEICA SUMMILUX-R 50 mm f/1.4 1 For a lens of such high speed, the LEICA SUMMILUX-R 50 mm f/1.4 achieves extraordinary image performance and high contrast across the entire focusing range. Almost one year ago I bougth my first and only Leica , the Summicron-R 50mm V1. report. I'm still impressed by the quality of this lens. Stopping the lens dow n by one or two stops enhances its high performance. Here’s the 80/1.4 compared to the 90/2. You won’t find a decent 75/1.4 for less than 3000 Euro, whereas a good 80/1.4 can be found for much less than 2000 Euro. Of course he also designed many of the Leica R lenses including the 19mm f/2.8 Elmarit and 80mm f/1.4 Summilux that you mention while at ELCAN. The Leica SL2 is out. More information about The Analog Camera Store can be found just below the conclusion. The nearest focusing distance is 0.8m which is pretty normal for portrait lenses. It feels very solid and this particular lens has a nice aperture ring that clicks firmly. While the 75/1.4 can be used on a broader range of cameras, the 80/1.4 is the lens I’d buy. Such a combination is surely a Leica Summilux-R 50mm f/1.4 (E60) adapted to Canon EF mount used on the Canon EOS 350D (Digital RebelXT). Now what does that mean ? View fullsize. Suddenly, the lens sharpens up a lot, contrast increases, vignetting decreases and it looks like you mounted a completely different lens on your camera. There is much less distortion than on the 35mm f/1.4 Summilux-R. Rangefinders may drift, even if you’re very careful with them. It even does portraits of dogs! 100% Upvoted. The Leica Summilux-R 80/1.4 is a terrific lens if you look at build quality and ergonomics. For me, I wouldn’t have to think long to answer that question: with a lens like this, I much prefer a good EVF to a rangefinder. The #planar50mm17 is often overlooked, We also have a review of this unsung hero over on, New lens review of the #prakticar50mmf14 from #car, My rather battered #widelux model F V. This was th, Do you know what they say about men with big lense, The #helios44 is one of the lenses I always recomm, Working on a new lens review of the #summicronr50f, The #Distagon 25mm is a great #CarlZeiss wideangle, New lens review (link in description) of the fancy, My sister recently opened a Hotel & Restaurant (pe, My next review will be about this little puppy. The same thing goes for contrast. … Overall, Leica sold about 950,000 R-lenses, or roughly two lenses per reflex-body (about 488,000 Leicaflex and R-cameras sold between 1964 and 2009). Leica Summilux 50mm f1.4 ASPH + Panasonic Lumix G3. LEICA SUMMILUX 35mm f/1.4. to create a new dimension of visual acuity. So how would I describe the rendering of this lens? The 50mm SUMMILUX is one of photography's greatest and longest lived lenses. With the increase in prices of used Leica M glass, the legendary Leica Summilux-M 75/1.4 has become too expensive for a lot of Leica shooters. Stopping the lens dow n by one or two stops enhances its high performance. However, surely many Leica shooters owned more than one body and, hence, a larger number of lenses. It's styled like a traditional Leica M rangefinder and brings a host of updates to the hugely popular original Leica Q (Typ 116) that was launched in 2015. I have owned them both at separate times, always feeling the 80 Lux was a little softer, less corrected and with more character. Created Oct 5, 2010. Chapter 1 Leica R-Lenses 3 __Three standard lenses At this moment there are three lenses in the lens line-up that may be designated as standard or normal lenses:the Summilux-R 50mm f/1.4 (1998), the Summicron-R 50mm f/2 (1976) and the Macro-Elmarit-R 60mm f/2.8 (1972). WTB: Leica R 35/2 Summicron-R + Leica R 35/1.4 Summilux-R Leica R 35/2 Summicron-R: Wanted Payment method: PayPal Item condition: 9 Shows signs of use, but very clean Looking for one of these in great optical condition and no dents, etc. For all his work, the uses the Leica M and SL system. Sort by. I’ve spoken with several shooters who have experience… There are good reasons to Copyright © 2013 Joeri van der Kloet | All rights reserved. The friendly people at Billingham sent me their Billingham SL2 bag. Introduction. They are bigger, heavier and more expensive than the SUMMICRON, with slightly diminished optical performance. And an adapter. Nothing is more frustrating than shooting with a ill-calibrated camera lens combination. The wide-open aperture of f/1.4 is a fully functional working aperture. best. The earlier versions were much smaller but had lesser than optimal optical performance at maximum aperture. But there is some good news for these Mandler loving shooters: the Leica Summilux-R 80/1.4 is still reasonably affordable and it’s very similar to the 75/1.4. 68. There is a tremendous amount of overlap between the 75 and 80 Lux. enlarge. You won’t find a decent 75/1.4 for less than 3000 Euro, whereas a good 80/1.4 can be found for much less than 2000 Euro. Members. In total over 35,000 copies of the Summilux 50 were manufactured for the Leica R cameras. It̵.. Here’s an example of how the lens behaves at three different distances, all shot wide open. But it does more than that. Overall, Leica sold about 950,000 R-lenses, or roughly two lenses per reflex-body (about 488,000 Leicaflex and R-cameras sold between 1964 and 2009). The lens has been in production since … On the M, it feels less balanced, just like the Noctilux does, but I wouldn’t mind shooting it on the M. If you’re shooting portraits I’d recommend to use a tripod anyway. And there’s a difference in size and weight, depending on the version you have. The solution is simple: by using an EVF you rule out all calibration errors. The lens has been in production since 1959 and carries on to the present day. The 80/1.4 has more contrast than I’d expect and I like that. Either a Summicron V2 with build in sunhood for about 420 euros or a Summilux-R 50mm V1 1978 for 740 euros, The new versions should be even better. 76. However, surely many Leica shooters owned more than one body and, hence, a larger number of lenses. Leitz Leica 50mm f/1.4 Summilux-R lens IOB 3-cam Style Fits all Leica SLRs (6) 6 product ratings - Leica Summilux-R 50mm/F1.4 E60 ASPH Lens Yr.1999 Germany #419 View fullsize. Shot at the lens' closest focusing distance. Leica isn’t new to making cinema lenses and was 1/2 Canadian from 1952-1990. The Leica Q2 is an impressively capable fixed-lens, full-frame camera with a 47MP sensor and a sharp, stabilized 28mm F1.7 Summilux lens. Aperture sets even more easily. Wide open, it has less contrast than a modern lens (but still more than I expected), but stopped down, there is quite a bit of contrast. Wide open it’s not the sharpest lens on earth, which is actually a good thing for a portrait lens. Item: Leica R Summilux 35mm 1.4 ROM Lens Condition: Used. View fullsize. You can find the lens that I reviewed here. Hi guys! The Leica Summilux-R 80/1.4 shares its optical construction with the Leica Summilux-M 75/1.4. The 80/1.4 has a sliding hood which doesn’t lock, but on my review lens, the mechanism is just perfect: it retracts quite easily, but it doesn’t slide back unintended. From $38,560.00 Back Ordered . It is relatively compact and handles very, very well on the SL. If you’re looking for a smooth rendering portrait lens, this is probably the one to go for. The first cam, Bought this one years ago online when you were sti, Meyer-Optik Görlitz 4/300 Orestegor – Pentacon 300 f4. SUMMILUX: f/1.4 LEICA's f/1.4 SUMMILUX are ultra-speed lenses optimized for low-light photography. The name Summilux is used by Leica and Panasonic Lumix to designate camera lenses that have a maximum aperture of f/1.4. View fullsize. save. Here at 2.8. Close. This lens even makes me look good… almost unbelievable right? I have owned this lens for 5 years and have used it on my Leica R7 film camera very little so I am selling it. Just kidding. All these qualities make the LEICA SUMMILUX-R 35 mm f/1.4 a popular tool for reportage photography. Specifically, Im interested in bokeh, and there is little information on the net, so Im asking you guys. View fullsize. Joeri is a documentary -wedding- photographer and journalist. A Look at the Leica 90mm Summilux f/1.5 Lens on the M10-R and 907x. Leica M3 with Summilux 50. Welcome to Leica. The verdict is that this lens out performs any other f1.4 lens on the market at that time. The major differentiators I examine in this post. Developed by Heinz Marquardt in 1967, the Summilux-R had a very long production run, ranging from 1970 to 2009. The 35mm SUMMILUX' ergonomics are perfect, if you can get over using it with filters. View fullsize. A few months ago I stumbled upon the artistic nude work of Jan Cibula in th.. ... Continue browsing in r/Leica. Leica R Extenders . While checking out the work of Jeff Ascough, I noticed that his wife Sarah .. And this is the 2.0. Ways to make tele lenses more tele : Extender-R X2 (exist as 1-cam or, 3-cam) (for use with Leica R lenses of 50mm focal length and longer and for lens speeds from f2.0. And if you’re not careful, they drift even more. Having said that, I’m quite certain this lens will see an increase in value over time. If you only want one 50mm lens this is the one I would recommend the most. 50 Summilux-M f1,4 ASPH Black Anodised (11716) - $4,195 50 Summilux-M f1,4 ASPH Black Chrome (11715) - $4,895 50 Summicron-M f2 (11719) - $2,595. The most striking feature of this lens is that is has two faces: wide open it is Nocti-like smooth with great portrait abilities, but stopped down it is perfectly suited for landscapes and architecture. Leica Summilux-R 80mm f/1.4 is the fastest telephoto lens in Leica's modern SLR lens portfolio. Rendering of both lenses is almost identical. Stopped down, it’s more than sharp enough for critical landscape shots. LEICA SUMMILUX-R 50 mm f/1.4 1 For a lens of such high speed, the LEICA SUMMILUX-R 50 mm f/1.4 achieves extraordinary image performance and high contrast across the entire focusing range. Lens mount - LEICA R-bayonet for LEICA R3 to LEICA R9 with mechanical, and, for LEICA R8/R9, additional electronic exposure control Number of lenses/groups - 10 / 9 Focusing range - … Here shot at 2.0. He works for a variety of magazines and websites. True collectors might not be interested, but real shooters will be. Let’s face it.Not so many of you are going to rush out and buy a manual focus only $13,000 Lens.Then again, there are many reading this who are saying “$13k is doable for me” and some of you reading this right now may buy things such as this one a whim.It’s the way of the world, … Camera West ID: 31577. Landscapes are no problem at all for the 80/1.4. Leica M3 with Summilux 50. If you’re in for a 75/1.4 or a 80/1.4, you want character, right? Simple: the 70/1.4 will only focus accurately with a well calibrated rangefinder and lens. Online. The low distortion contributes to that as well. I do this because I like it and I hope that my readers will find their way to one of my workshops eventually. DOF is insanely thin now. Filming in cold conditions is a challenge. The LEICA SUMMILUX 50mm f/1.4 is an ultra-speed lens optimized for use in very low light. Just to be clear: I do not get paid for this review, nor do I ever get paid for a review. SN Start SN End Product Year Total 2411021: 2411040: 50mm f/1.4 Summilux R : 1970: 20 2470501: 2472500: 50mm f/1.4 Summilux R (3-cam.black) 1971: 2000 2475001 Posted by 1 day ago. 8 comments. $2,395 - $4,895 "R" is for Resolution. This is a short comparative review that is technical in nature with no sample images. Now that we made it clear bellow are some sample shots from Leica Summilux-R version 1 50mm f1.4 from 1971 mounted on Canon 70D body. I’ve had a few chats with Maarten before we started this partnership, because I want to make sure that if I recommend someone, they won’t let their clients down. Nice bokeh and lots of character. The new versions should be even better. It’s on my driveway. It is approximately half the price of the 75/1.4, has less problems (focus shift, hard to clean the elements when needed, etc), is easier to find and I’d use it on my SL anyway. Is the SL still a good choice. The 80 is slightly bigger and heavier. Stopping it down with just one stop dramatically increases contrast and sharpness, but also reduces the buttery smooth bokeh. Leica SL + 50 f/1.4 Summilux-R, shot at ISO 800, f/1.4, 1/200s. Available light portrait with high contrast. … Sharpness is about equal or slightly better than the CY, but the Leica's colors and overall rendering are really special. It is relatively compact and handles very, very well on the SL. Read my 75 Lux review here. Maarten is a good guy and I won’t hesitate to recommend his store. This is the first lens that I borrowed from The Analog Camera Store. Included are the originals caps. For a lens of such high speed, the LEICA SUMMILUX-R 50 mm f/1.4 achieves extraordinary image performance and high contrast across the entire focusing range. Yes, definitely. But what is significant to me is the difference in size between their respective adapters. Im selling three of Leica Rs in very good condition. Exterior shows some minor use. The 75/1.4 has much been compared with the Noctilux v2 and while I have only used this lens a few times for just a number of shots, it does remind me of this lens. I received this very kind email last week: Hello Joeri, I’ve been sho.. Im trying to find out what the differences are between E55 and E60 versions of the Summilux-R 50/1.4 lenses. share. Note the huge difference. Of course he also designed many of the Leica R lenses including the 19mm f/2.8 Elmarit and 80mm f/1.4 Summilux that you mention while at ELCAN. to the (some finish wear is fine). It is soon my birthday and saved a bit of money to upgrade. The Leica Summilux 50mm f1.4 ASPH is now my most used Leica M mount lens, whether on a Leica film camera, the Leica M240 or my new Leica CL, it is a great performer. There are good reasons to I like the look. I reviewed this lens a couple of years ago and I really liked it. Product Details; Policies & Questions; Quick Overview: Over a century of passion for photography is brought together in the new APO-Summicron-SL 50 f/2 ASPH. The 80/1.4 is a portrait lens. hide. Stopping the lens down by one or two stops enhances its high performance. SN Start SN End Product Year Total 2411021: 2411040: 50mm f/1.4 Summilux R : … Here you can still see some of the swirly bokeh, but much less than the Nocti V2. Smooth bokeh here on a classic Porsche 911 Targa. And this is pretty much the closest you can get. The transitions wide open are impressively short. Well, if that’s what you want, you’d better invest in the excellent 75/2.0 ASPH, 75/2.4 or 75/2.5. Leica Summilux-R 80mm f/1.4 E67. First released in 1981, the lens was initially available as Series 8 or E67 filter thread models in 3 cams, but since 1998 Leica has been manufacturing the lens only as a ROM variant. Ever seen a Porsche 918 Spyder? The SUMMILUX are also very popular for general use, even though their optical performance laggs slightly behind the SUMMICRON. 15.6k. Leica isn’t new to making cinema lenses and was 1/2 Canadian from 1952-1990. I have never seen any rigorous testing of the 75 versus 80 Lux. Focus is a fingertip-set tab. Designed for Leica's full-frame SL-series of mirrorless cameras, this 50mm benefits from a new design granted by the short flange distance. A, I always wanted to get my hands on one of these bu, I could not believe the price evolution the #summi, The original #voigtlander Prominent. Order nos. It seems that the primary question is whether you want to use your rangefinder for focusing, or any EVF (M240, M10, SL, any Sony body). PM with price and photos if available. The verdict is that this lens out performs any other f1.4 lens on the market at that time. Last week.. Well, that’s exactly what you get with this lens. It isn’t mint: there’s a tiny dent in the hood, there no front lens cap and there is some paint loss. r/Leica. The focus ring is a lot bigger than the ring on my Summicron-R 90 and that makes focusing while looking through the viewfinder a lot easier. You can actually buy the very same lens that I used for this review here. The wide-open aperture of f/1.4 is a fully functional working aperture. A7ii, Leica-R Elmarit 28 f2.8 v.II This is a new lens for me, and I like it more than my other 28mm lenses--CY 28 f2.8 Distagon and Pentax K 28 f2.8. Stopped down, it is sharp enough for landscape shooting and distortion free enough for architecture. Leica 16mm Summilux-C. The lens has just come back from a full CLA the legendary Leica tech Steve at Steve’s Camera in Los Angeles. Last modified June 8, 2019, Copyright ©2014-2021, Vintage Camera Lenses, Walter Owens, ❓ Can you geniuses name the camera and lens, New #lensreview of one of the earliest #wideangle, What shooting combination did you use over the fes, Help #VintageCameralenses: Someone was kind enough, Unsung hero! Is the Leica Summilux-R 80/1.4 worth buying? The FLE is the 7th iteration in a distinguished line of 35mm Summilux-es in Leica’s history from 1960 onwards. But what if you’re a landscape shooter and want to shoot on f5.6 and smaller? - 11880 - 11881 - 11349-ROM .LLC - 165; Production era 1980-2009, 12,250+ lenses; Variants - ROM conversion lenses and ROM lenses after 1996; Lens mount - LEICA R-bayonet for LEICA R3 to LEICA R9 with mechanical, and, for LEICA R8/R9, additional electronic exposure control ; Number of lenses/groups - 7 / 5 ; Focusing range - 0.8 m / 31.5 in < ∞ ; Aperture - f/1.4 - …

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