When I told Mariana Enríquez that I enjoyed Things We Lost in the Fire, her debut short story collection, she couldn’t help but laugh. That’s roughly the mechanism of my stories, I get my inspiration from a real life event and then I transform it into something fantastical or supernatural. Her latest collection, Things We Lost in the Fire (Las Cosas que perdimos en el fuego), was published in 2016 to great critical acclaim and is soon to be published in many languages. His life and works were never the same after that. An emaciated, nude boy lies chained in a neighbor’s courtyard. Things We Lost in the Fire PDF book by Mariana Enriquez Read Online or Free Download in ePUB, PDF or MOBI eBooks. Powered by WordPress and hosted by Pressable. First, people like these genres, they’re popular. Mariana Enriquez recalls a world of dive bars, cheap wine, rockers, writers, misfits and ‘el uno a uno’: Buenos Aires before the collapse, Mariana Enriquez's "The Dangers of Smoking in Bed" features sociopolitical horror stories set in modern-day Argentina, Talking hot-weather Gothic, getting paid for your writing, and finding a home in the sprawling world of Weird Fiction, The graphic novelization of Shirley Jackson’s The Lottery reminds us of lapses of truth. On the river banks, there are also many slums. Adam Vitcavage: This short story collection has a lot of reoccurring themes related to the horrific and the mysterious. 202 pages. Summary note "A haunting collection of short stories all set in Argentina" -- Provided by publisher. I write for myself, thinking about my country and its reality. After a stint in the army, Antonio Mamerto Gil Núñez (the saint’s full name) became a Robin Hood figure, beloved by the poor of the country. “They usually say they suffer through them.” It’s interesting to me that there can be a certain disdain for what’s popular, but I reject that, that’s an elitist way of thinking. Mariana Enríquez uses horror and the uncanny to explore women’s lives, from schoolgirls to grown women, some impoverished, some wealthy, most reaching for levels of independence or to carve out some space for themselves in the world. Synopsis from Goodreads: An arresting collection of short stories, reminiscent of Shirley Jackson and Julio Cortazar, by an exciting new international talent. The journalist and author fills the dozen stories with compelling figures in haunting stories that evaluate inequality, violence, and corruption. At least not during the day. Later on, the ideas of Evil and the dead river become an homage to Lovecraft and his unpublished works, mixed with my interpretations of Laird Barron. Fairy tales are the ancestors of scary tales. Author: Mariana Enriquez | Submitted by: Maria Garcia | 13154 Views | View Chapter List | Add a Review. But I have to be careful that my personal passions and obsessions don’t take over my stories and make them all sound too similar. Mariana Enriquez: Yes, it is something I look for. Enriquez: I don’t know. I write for myself, thinking about my country and its reality.”. Emecé. Mariana Enriquez’ mesmerizing short story collection, Things We Lost in the Fire, is filled with vibrant depictions of her native Argentina, mostly Buenos Aires, as well as some ventures to surrounding countries.The journalist and author fills the dozen stories with compelling figures in haunting stories that evaluate inequality, violence, and corruption. Maybe in the past few years politicization has become more pronounced there; but in Argentina, politics has always dominated public discourse. Enriquez: In Argentina everything is political. I don’t write pedagogically. Writers, critics and others dream-edit a personal anthology of their favourite short stories It’s also challenging to not be repetitive. https://medium.com/media/11bfe3a6b4f7b0925df45e65c1c190a5/href. "The Intoxicated Years" (see the link above) begins in 1989 with three late teenage girls learning to use cocaine. This river has been polluted for many years, just as I reference in my story. Posts about Mariana Enriquez written by Jonathan Gibbs. Coming soon! February 21, 2017 Available to pre-order now. Enríquez, Mariana (2009). My stories are quite rooted in realistic urban and suburban settings and the horror just emanates from these places. She has published three novels and three collections of short stories. I hope they’ve also translated works by Roberto Arlt into English, he was great. A blog about short stories, short fiction and short story authors along with literary journals and anthologies, A few years ago in Buenos Aires, two policemen detained two poor, young men who were coming back from a night club. Argentina is a theme and a character in my stories. The first story in Mariana Enriquez’s latest translated short story collection, The Dangers of Smoking in Bed, finds a woman haunted by the ghost of her great-aunt.The catch: her great-aunt died as an infant, and the ghost who stalks her steps is a rotting, mewling newborn as confused and upset as its living relative — and, quite possibly, you. Vitcavage: Since you’re a journalist as well, is there a sense of need when it comes to including political commentary within your fiction? And I’m always writing stories, they’re like my escape. They physically abused them and threw them in the Riachuelo River. I also draw inspiration from Alan Moore and his idea of evil as a form of social hygiene in the context of inequality and institutionalized violence. The contamination is due to the factories and slaughterhouses on the shores of the Riachuelo that dump their waste into the river, polluting it. A couple of years ago I became acquainted with Mariana Enriquez's storytelling. I found on the list Things We Lost in the Fire by Mariana Enriquez. I interviewed Enriquez via email; I wrote to her in English and she responded in Spanish, with Jill Swanson then translating. Mariana Enríquez is a novelist, journalist and short story writer from Argentina. Enriquez: No, there’s not. New York, NY: Hogarth Press, 2016. Notes "Originally previously published in Spanish as Las cosas que perdimos en el fuego by Editorial Anagrama, S.A., Argentina. Enriquez: I always write for myself. Second, these genres are literary. I want my stories to have an air of familiarity, especially those in a collection or in a book. Electric Literature is a 501(c)(3) non-profit organization founded in 2009. We discussed Argentina as a country and a character, the place of politics in literature, and what inspires Enriquez when she’s working on a story. Enriquez: A very long and complex novel, but I can’t tell you more than that. Macabre, disturbing and exhilarating, Things We Lost in the Fire is a collection… Vitcavage: What are you working on next? Vitcavage: Who are some other Argentinian writers that readers should explore? A Personal Anthology. "Spiderweb" appeared in The New Yorker.. The truth is that I don’t think too much about readers from any part of the world. I’ve traveled just a bit in the United States, but I have a few friends there. Mariana Enriquez. Mariana Enríquez's The Dangers of Smoking in Bed Short Stories are Thrilling. So you could say that I’m working on a novel and on another short story book. Vitcavage: What are some of the difficulties or obstacles you encounter while writing a short story? Interviews Literature Short Stories … Other contemporary authors to look for are Leila Guerriero, Samanta Schweblin, Juan José Saer, Hernán Ronsino, Liliana Bodoc, Rodrigo Fresán, and Hebe Uhart. She graduated from Universidad Nacional de La Plata in Journalism and Social Communications, and is the deputy editor of “Radar,” the arts and culture supplement of the Argentinian newspaper Página/12. Vitcavage: Can you pick one of the stories and explain how you came up with the idea and then how you crafted it into a short story? I don’t know what made the publishers decide on a spring release for Things We Lost in the Fire: Stories.This collection is perfect for Halloween! I read one of her stories (see the link above) and wanted to enter further into her vision of the mean streets of Argentina. Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories o) Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The Dangers of Smoking in Bed. What about these themes excite you? The ... Argentine writer Mariana Enríquez joins their ranks with a ravishing new story collection, The Dangers of Smoking in Bed, a volume that reimagines the Gothic and gives it a wholly original spin. I don’t have much contact with reality in my journalism. Argentinean literature, especially what’s been written within the last forty years, after the dictatorship, is profoundly political. “ ‘Enjoy’ is not something most people tell me,” Enríquez says. Mariana Enríquez lives in Buenos Aires. The themes of horror and fantasy work for me in two ways. Just a while ago an English work of Antonio Di Benedetto was recovered. The river is sort of a symbol of carelessness and corruption. I sincerely believe that they don’t have a true idea of what it is like to live in a highly politicized society. Site designed in collaboration with CMYK. Vitcavage: It seems, in America at least, that we can’t talk about anything without talking about politics. In the end, one of the young boys drowned in the river. She is one of the few contemporary writers that creep me out (in a good way, I guess) and when I discovered… Sign up for our newsletter to get submission announcements and stay on top of our best work. Things We Lost in the Fire: Stories by Mariana Enríquez. I’m a cultural journalist. Currently, they’re trying to clean it up, but it will take decades. Mariana Enriquez. Excerpted from the short story collection Things We Lost in the Fire by Mariana Enriquez. Support our mission to make literature more exciting, relevant, and inclusive. I don’t go beyond that. She is an editor at … "Mariana Enriquez’s eerie short story collection, Things We Lost in the Fire, looks at contemporary life in Argentina through a strange, surreal, and often disturbing lens. It sounded wonderfully creepy and unsettling; the Financial Times writes that it is ‘full of claustrophobic terror’, and Dave Eggers says that it ‘hits with the force of a freight train’. Mariana Enriquez on Teen-Age Desire. Personalize your subscription preferences here. She has published two novels, a collection of short stories as well as a collecion of travel writings, Chicos que vuelven, and a novella. I like these genres for various reasons: they’re popular and entertaining, and at the same time they’re very profound. Characters range from social workers to street dwellers to users of dark magic. The stories in Things We Lost in the Fire are dark, unsettling and powerful. Adam Vitcavage is a Phoenix-based writer whose criticism and interviews have appeared in Electric Literature, Paste Magazine, The Millions, and more. Additionally, the river marks the geographical limit between the city of Buenos Aires and what we call Gran Buenos Aires, or the suburbs. These are stories that speak of fear as the intimate. Things We Lost in the Fire: Stories (Spanish: Las cosas que perdimos en el fuego) is a short story collection by Mariana Enriquez.Originally published in Spanish, it was translated into English by Megan McDowell in 2017. Mariana Enriquez’ mesmerizing short story collection, Things We Lost in the Fire, is filled with vibrant depictions of her native Argentina, mostly Buenos Aires, as well as some ventures to surrounding countries. Posted on January 23, 2017 September 16, 2019 Author Leah Saylor-Abney. Mariana Enríquez (Buenos Aires, 1973) is a journalist, novelist, and short story writer. Contents Reading Time Enriquez: Time! Mariana Enriquez is a writer and editor based in Argentina, and most if not all of the stories are based in that country (although one is in Paraguay) and in This is a collection of 12 short stories that are described on the inside front cover of the dust jacket as “unsettling, slyly funny, and strange in the tradition of Shirley Jackson and Julio Cortazar”. Our mission is to amplify the power of storytelling with digital innovation, and to ensure that literature remains a vibrant presence in popular culture by supporting writers, embracing new technologies, and building community to broaden the audience for literature. { my rating: ★ } Things We Lost In the Fire by Mariana Enriquez is a collection of twelve short stories that were all translated into English from the Spanish by Megan McDowell.Ms Enriquez is a writer and editor for some newspapers and magazines established in Buenos Aires, Argentina and so all her translated short stories come from her work in her country. Mariana Enriquez is an award-winning Argentine novelist and journalist whose work has been translated into more than twenty languages. That is to say — I primarily write thinking about Argentina, and in a larger context about Latin America, because we share many similar realities. “Argentina is a theme and a character in my stories. These genres are emotive and consider sensitivity and feeling. We publish your favorite authors—even the ones you haven't read yet. At the Edinburgh International Book Festival last summer, I heard Mariana Enriquez read from her short story collection Things We Lost in the Fire, the first English translation of her work, by Megan McDowell.Twice, in fact: At the official reading, and at a more informal evening event with readings and music in a cabaret-style circus tent. What is the relationship like in Argentina between politics and literature? in 2016"--Title page verso. Novel, short story collection, a long investigative non-fiction book? Mariana Enríquez (Buenos Aires, 1973) is a journalist, novelist, and short story writer. The tradition of horror and mystery stories fascinates me. Vitcavage: What can readers learn about Argentina from your stories? I like dark themes, and I would say that it’s my way of looking at things. They’re ancient, they’re the stories we told orally. "The Intoxicated Years" was published in Granta. Rating: 3 of 5. I since marvel at the Argentinian writer's talent to conjure up such terrifying stories from the daily Latin American everyday violence. Mariana Enríquez’s THINGS WE LOST IN THE FIRE (Hogarth; February 21, 2017) is an arresting collection of short stories by an exciting, new international talent. Enriquez: Of the authors I know who have works translated in English, there are Di Benedetto, Silvina Ocampo, Manuel Puig, Ricardo Piglia, and Julio Cortázar, who is very famous. Review of Mariana Enriquez's Things We Lost in the Fire: Stories. Enjoy strange, diverting work from The Commuter on Mondays, absorbing fiction from Recommended Reading on Wednesdays, and a roundup of our best work of the week on Fridays. It’s one thing to mistreat and scare a young man, but it’s a very different thing to throw him into that hellish river. The Writing Life in Argentina in the 1990s, Witchcraft, Hysterical Teenagers, and Heart Fetishists. These industries run unregulated by the State. Dissipation and Disenchantment: The Writing Life in Argentina in the 1990s. ADELA’S HOUSE by MARIANA ENRIQUEZ – Short Story Review Book Pebbles Book Reviews June 13, 2018 June 23, 2018 4 Minutes Penguin Random House gives you the opportunity to sign up for hand-picket stories delivered right to your inbox, at no cost. I would say that my socio-political commentary comes more from my experience as a citizen than it does from my career as a journalist. A demonic idol is borne on a mattress through city streets. You can be afraid of a monster and fear can also turn you into a monster. $24.00. Mariana Enríquez Select Country. . She is the author of Things We Lost in the Fire, and her novel Our Share of the Night, which was awarded the prestigious 2019 Premio Herralde de Novela, will be published by Granta Books in 2022. Mariana Enríquez opens her debut collection, Things We Lost in the Fire, by recounting the story of Gauchito Gil, a popular saint in Argentina. I live between movies, celebrities, music, and theatre. But I think that readers can gather that Argentina is a diverse and unequal society. lens that evinces the structural violence imposed by necropolitics, In the middle of the night, invisible men pound on the shutters of a country hotel. In short, Mariana Enriquez reads Argentine society with a feminist. Enríquez also writes for other magazines, such as La mujer de mi vida and El guardián. Fear is one of the most powerful and motivating emotions. I don’t want to hear the neighborhood horror stories, which are all unthinkable and plausible at the same time and don’t scare me a bit. Mariana Enriquez: When I was a girl, the first things I read were horror and fantasy. Enriquez: Sure, for example, “Under the Black Water” was inspired by a true story of police violence. I was struck by the cruelty of those police officers. Vitcavage: When you’re writing, do you primarily write for an Argentinian audience, or do you consider that your works will end up in English at some point, read by Americans as well as the rest of the world? A rgentinian writer Mariana Enríquez’s first book to appear in English, translated by Megan McDowell, is gruesome, violent, upsetting – and bright with brilliance. Published in February 10th 2016 the book become immediate popular and critical acclaim in short stories, horror books. He runs Debutiful, a site dedicated to celebrating debut authors and their books. Argentinian author Mariana Enriquez’ debut English language collection, Things We Lost in the Fire, had been on my radar for a while before I found a copy in my local library. Every author is very different but they account for the wide breadth of current Argentinian literature. I used this incident, making minor modifications, as the point of departure for the rest of my story. Recently published on February 1st, 2017 by Crown Publishing. Get new fiction, essays, and poetry delivered to your inbox. An abandoned house brims with shelves holding fingernails and teeth. I work as a journalist and it’s difficult to find the time to write. Through them, Enriquez explores tourism in Argentina, the rich visiting the slums, plus so many more dynamic perspectives on her home country. The dictatorship killed or helped to make important Argentinean writers disappear, like Haroldo Conti, Rodolfo Walsh, and Paco Urondo. Benedetto was tortured by the dictator’s militia — they faked his execution and he suffered a great deal.

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